Tim Robey, Author at The Point Magazine
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Essays by

Tim Robey

 

David Cronenberg’s Disembodied Cinema

The best word I’ve come across to describe David Cronenberg’s filmmaking style is “disembodied.” It was voiced as a criticism, but I think he’d own up to it. Whatever squelchy or peculiar or downright disgusting thing is going on in his pictures, the camera tends to exhibit an almost serene, floating detachment, like a severed head calmly looking down at its own twitching torso.

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